Ghanaian Choral Music Compositional Styles: An Appraisal of The Approach of Jacob Paulinus Johnson Peter Twum-Barimah Issue: Vol.3 No.2 July 2023 Special Issue Article 3 pp. [...]
Kwesi Gyan: A Cross-Cultural Artistic Impression on Apatampa Musical Resources Nana Amowee Dawson Issue: Vol.3 No.2 July 2023 Special Issue Article 2 pp. 34-96 DOI :https://doi.org/10.38159/ejomur.2023322| [...]
Contesting the Concept of Timeline in African Traditional Music-Dance: Perspectives from Ghana Alfred Patrick Addaquay Issue: Vol.3 No.2 July 2023 Special Issue Article 1 pp. 14-33 [...]
The Quest for Recognition and Curricularisation of South African Music Education in Basic Education Sakhiseni Joseph Yende Issue: Vol.4 No.5 May 2023 Article 4 pp.540-549 DOI: [...]
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Indlamu: An Image of Zulu Upper-Class Culture of the Past Sakhiseni Joseph Yende and Vusabantu Ngema Issue: Vol.4 No.3 March 2023 Article 10 pp.300-311 DOI: https://doi.org/10.38159/ehass.20234310 [...]
The Use of Cymatics: Changing Face of Music Teaching and Learning in Ghanaian Schools Ernest Francis Amparbin & Eric Debrah-Otchere Issue: Vol.3 No.1 January 2023 Article [...]
The Functional Role of Traditional Music and Dance in Xhosa Traditional Healers’ Ceremonial Rites Benjamin Obeghare Izu & Alethea de Villiers Issue: Vol.3 No.13 December 2022 [...]
A Christological Reflection on Papa Yaw Johnson’s “Fa wo ntoma bɛbɔ me deɛ ano” Isaac Boaheng Issue: Vol.4 No.3 October 2022 Article 2 pp. 57-70 [...]
The Sociocultural Significance of the Emedjo (Masquerade) Dance Among the Abraka People in Delta State, Nigeria. Benjamin Obeghare Izu Issue: Vol.3 No.9 September 2022 Article [...]
